minstrelsy ritual is one of the cultural and artistic heritages left from ancient Iran. This ancient ritual became very popular during the Sasanid rule era, and some of the most famous Iranian minstrels, such as Barbad and Nakisa, composed and performed many melodies and tunes. In this research, using a descriptive and analytical method, and library studies, the author will try to investigate the minstrelsy ritual in ancient Iran and then analyze how it continued and extended in Iran during the Islamic era, especially during the Samanid and Ghaznavid eras, focusing on poems of Masoud Saad. According to the findings of this research, to sixth centuries of Hijri, minstrelsy with some changes in some of its details, continued to exist in some parts of Iran, especially in the court of the Samanids and the Ghaznavid. In this way, poets played a significant role in the reconstruction and popularization of minstrelsy as a part of Iranian cultural identity. Among the poets of the Ghaznavid period, the poems of Masoud Saad are an important source for understanding the particulars of minstrelsy in the said period. In particular, with his attention to Barbad's melodies, and composing pieces describing the twelve months, thirty days of the month, and seven days of the week, he tried to revive minstrelsy in the court of Ghaznavids.